and then some
September 1st, 2009

the day I met….Dave Eggers

There I was holed up at the home office pushing pixels around. It was beautiful outside and I was going into my 7th hour of staring at the computer screen. It was time to get out. My mind numb from repetition, I needed fresh air and a few revolutions on the bike to blow the staleness away. I headed up 24th street towards the Noe Valley neighborhood. I’d just parked the bike at a usual spot of mine in front of the Cover to Cover bookstore. I turned around to check out their bargain books that always lie there on a table outside.

It was a small page. Letter size. It was the notice taped to the window that read ‘Dave Eggers, today 2-4pm. “Today” ? ‘I muttered to myself. Checked the time. It was 3pm. “Really”? I heard me ask myself. I poked my head in the door. There was a handful of people standing in front of a guy sitting at a desk. All in all we were probably outnumbered by the staff. But yes it was Eggers and it was quickly becoming one of those situations where you find yourself in a good place at the right time. I tidied my helmet hair head, brushed the beads of sweat off my brow and I joined the queue.

I read Eggers story ‘What is the What’ last year and it immediately struck me. It is a powerful story based around Valentino Achak Deng’s, flight from war torn Sudan into refugee camps in Ethiopia and finally resettlement in Atlanta. Valentino was one of thousands of children who escaped the brutal civil war that ravaged his country from 1983 to 2005. One of the thousands who became known as the ‘Lost boys of Sudan’. It is at the same time a brutal account of repression and the triumph of the human spirit in it’s battle to survive. Eggers was a Pulitzer finalist for his book a ‘Heartbreaking Work of Staggering Genius’ which I haven’t even gotten to yet. The fact that he lives in San Francsico now and opened his project 826 Valencia aimed at helping kids 6-18years develop their writing skills, a couple of doors down from me, compelled me to this man even more. For Dave Eggers is not just a writer. He’s a journalist, an activist, a participant in his community and a human being with his mind wide open to what goes on around him and not just in the bubble of San Francisco but the wider world. For that as well as his talent, I have admired him.

So my turn came and I walked up to where he was sitting at his wee desk. He was definitely a handsome, healthy, happy looking man. I got a good feeling about him instantly. We had a nice chat him and I. He like every good Irish American was eager to tell me of his Irish roots. ‘I’m 7/8ths Irish’ he said. Hence McSweeneys the name of his San Francisco publishing company.  ”Fair enough, that’ll do” I said, with a wry smile. He was off to Ireland in a few days to help acclaimed Irish author Roddy Doyle open the Dublin equivalent of 826. His pride in his Irish roots was demonstrated with a extravagant scribble across my copy of his new book proclaiming such.

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It reads : ‘To Michelle, Hail Ireland and all things Irish. Your true friend, Dave Eggers (nee McSweeney)”.

If his new book ‘Zeitoun’ a story of Abdulrahman and Kathy Zeitoun struggling in the tragedy of New Orelans that was Hurricane Katrina, is anything like ‘What is the What’ you’d have a good mind to go get yourself a copy of it.

Dave Eggers is a literary gem that we have here in this city and he can be my ‘true friend’ and neighbor any day.

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July 9th, 2009

my mobiloid revolution

This photograph was taken with a phone.

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Things sure have changed in our world in the last couple of years. Daily we Twitter, Twatter, Facebook, Flickr, Google, Faffr, whatever. All in efforts to stay apace with the world around us. Increasingly now by just using our phones. I know all too well that feeling of nakedness when I discover I’ve left my phone at home. This sympton has got worse with the advent of social networking and a mobile lifestyle that anyone can tune into if (A) you’re there and (B) if anyones gives a toss or not. Frankly I find it disturbing that I would be so disturbed by something so trivial as leaving my phone at home. Yet until I am ready to go live in the woods or deep in the Himalaya then these are the tools that are there for the taking. Or not. Photographers know this all too well. Go with it or not? I decided I was going to participate.

So it was last month at the beginning of June that I got my first smartphone (the brand I won’t mention because they already get plenty of free advertising from consumers like me). They might as well have surgically implanted that thing in the palm of my hand. You could have quoted me a year ago as saying that all I needed my phone to do was ring. Just bloody ring goddammit! (Mind you I still have to speak to my phone like this). Now I can’t even go anywhere without expecting it to get me there with the drop of a digital pin. It’s a long way I am from when I was a wee girl navigating from a paper map on a roadtrip round the skinny by-roads of Ireland. Me and me Da (gramatically incorrect I know but I don’t care, this is my blog) spinning around in his powder blu FIAT 131 singing a couple of rebel songs to ourselves.

One thing I have become infatuated with is the third rate mobile upload. They may have killed Polaroid but they gave us the Mobiloid. And what with all the tools out there you can do a way more inifinite number of things that just scratch or shake. But perhaps that was the charm? Just scratching and shaking. Don’t get me wrong I was devastated when they decided to kill SX70. I was well on my way to a nice body of SX70 work. Somebody else thought so too. We had a party here once a couple of years ago and I woke up the next morning to discover a wee gap in the line of polaroids on the picture rail. Somebody had nicked my favorite one of all, a silhouette against a beautiful dark blue sky of Ireland’s most famous Round Tower, Clonmacnoise.  Both my parents were with me that day as I shot in 2006. They were enthralled with the beauty of the polaroid as it revealed itself before their eyes. Everything about that day with my parents was precious. When I told them it was gone they were gutted. Whoever took that picture that night stole some of my special day too. Knacker.

How did I digress? The point of the post being the Mobiloid. For such a measly few pixels out of something I’m enjoying the limits of this scaled down version of a digital photograph. Photography still changes even when we think we’re done.

PS : A ‘Knacker’ roughly translates as a complete loser . Although that’s putting it politely. It’s a bit worse than that. I’m trying not to use profanities.

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